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Kafka's work is much darker, and reflects the more tragic nature of his life and early death at the hands of Tuberculosis. He is probably best known for The Metamorphosis, his very odd tale of Gregor Samsa who one morning finds himself transformed into a giant insect. Gregor futiley tries to adjust to his new reality, which becomes a burden to him and his family. There's no attempt to explain how or why Gregor has changed, and the absurdity and irreversibility of his condition are accepted by himself and those around him. It's an interesting but depressing meditation on the fragility of self and the weight of circumstance.
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Their untimely demise is sealed by the foretold lines of the framing piece, and although they have an inkling that something is not quite right in this state of Denmark, they meet their unwitting fate with undying charm and wit. The play opens with the two wagering over coin tosses. Incredibly, the coin keeps coming up heads, a fact that Guildenstern finds disturbing but that Rosencrantz sees as a mere coincidence. Sometimes Fate deals you a strange hand, but it's always best to make the most of what we're given. Even if it seems we don't have much say in the way things are playing out, we are always free to choose just how we'll face up to those sometimes daunting circumstances.
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